![]() ![]() Įarly cubist Max Weber wrote an article entitled "In The Fourth Dimension from a Plastic Point of View", for Alfred Stieglitz's July 1910 issue of Camera Work. The portrait bears similarities to Jouffret's work and shows a distinct movement away from the Proto-Cubist fauvism displayed in Les Demoiselles d'Avignon, to a more considered analysis of space and form. Picasso's Portrait of Daniel-Henry Kahnweiler in 1910 was an important work for the artist, who spent many months shaping it. ![]() Princet introduced Picasso to Esprit Jouffret's Traité élémentaire de géométrie à quatre dimensions ( Elementary Treatise on the Geometry of Four Dimensions, 1903), a popularization of Poincaré's Science and Hypothesis in which Jouffret described hypercubes and other complex polyhedra in four dimensions and projected them onto the two-dimensional page. ![]() An associate of the School of Paris-a group of avant-gardists including Pablo Picasso, Guillaume Apollinaire, Max Jacob, Jean Metzinger, and Marcel Duchamp-Princet is credited with introducing the work of Henri Poincaré and the concept of the " fourth dimension" to the cubists at the Bateau-Lavoir during the first decade of the 20th century. Albert Gleizes, 1913, Portrait de l’éditeur Eugène Figuière (The Publisher Eugene Figuiere), Musée des Beaux-Arts de Lyonįrench mathematician Maurice Princet was known as "le mathématicien du cubisme" ("the mathematician of cubism"). ![]()
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